| Jennie Moran Visual Art Practice |
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| (Personal Effects) | |||||||||||||||||||||
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| HOSPITAL! Notice them as they pass by and remember them when they are gone |
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| How can can the individuals (staff, guests, visitors) who occupy this hospital ward effect the space? | 'miniscule, technical procedures acting on and with details' Michel de Certeau |
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Silent observer |
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Gentle, intimate reappropriation of organised space |
These relics to be excavated with great care in odrer that they might be preserved |
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Invisible made visible |
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Pursuing hidden narratives, invisible layers of history, energy, memory |
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Allow these hidden layers of history to be seen in hospital ward |
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| Strange Archeology search for fragments, shards of narratives, obscured poetic detials of lives, componants of memories |
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Use hospital infrastructure as medium information gathered to be placed upon patients bed linen |
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| 'And I forgot the element of chance introduced by circumstances, calm or haste, sun or cold, dawn or dusk, the taste of strawberries or abandonment, the half understood message, the front page of newspapers, the voice on the telephone, the most anodyne conversation, the most anonymous man or woman, everything that speaks, makes noise, passe us by, touches us lightly, meets us head on' Jacques Sojcher, LaDemarche poetique, 1976 |
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