Jennie Moran
Visual Art Practice

Produces Other Landscapes i
Creates an infrastructure for hospitality in urban / public contexts
Draws attention to the poetic geography of places where it is obscure
Makes hard places softer
Un-isolates people from their surroundings
Invites people into their town, neighbourhood
Illuminates the lives of individuals so that we know they are there: allowing the city to notice them as they pass by and remember them when they are gone;

↑ by :
Pursuing hidden narratives, invisible layers of history, energy, memory
Thinking playfully
Catching unawares with confusing embellishment of places
Exploring the civic duty of an artist
Implementing an inviting art practice
Presenting artworks as services which people can choose to avail of or not
Noticing, listening, drawing, measuring, recording, mapping, building

i This landscape → A logistically workable infrastructure incorporating economic requirements, civic duty, the acquisition of knowledge, propagation, nourishment, respite and leisure.

Other Landscape → An environment which might offer personal restoration; a gap;
e.g. an unkempt place, separate temporally to the routines adopted by citizens.